It’s been almost 50 years since I lived in Tuscaloosa, Ala. I go back from time to time, but not much after Mama moved to Cleveland about 35 years ago and later to Augusta, Ga. Except for a couple of cousins, all of my relatives have either died or moved away. My youngest sister, Susan Gandy, lives in Tuskegee, Ala. My other sisters, Charlotte Purvis and Chris Polk, live in Durham, N.C. and Oakland, Calif. area, respectively.
Many close family friends such as Mrs. Dorothy Smith and Mrs. Emma Henderson, two longtime neighbors from my McKenzie Court housing project days, are deceased. A growing number of my Druid High classmates – James Calvin Brown, Reginald Henderson, Peter Boyd and most recently, Ronald Thompson and Estella Robertson Carter – are no longer with us.
The Memphis Grizzlies may not dominate games, though they still are playing well enough to hold the NBA’s best record.
The latest example came Saturday night, as Memphis maintained just enough of a buffer down the stretch to beat the Detroit Pistons 95-88 and improve to 9-1.
Some may wonder what can transpire in a relationship were the woman earns more money than the man. The play “Mrs. Independent,” which ran Nov. 8-9 at the Cannon Center, examined just that topic.
Bringing the storyline to life was an acting crew that featured Robin Givens, Dottie Peoples, Christopher Williams, Tony Grant, Trisha Mann-Grant and playwright Priest Tyaire.
If you have ever found yourself downtown at Memphis Sounds Lounge listening to the A440 Band then you might be familiar with a strong-voice performer known to many as “Big Baby.”
No, she’s not a baby! She’s not even a kid. She’s a full-grown woman with a voice that really makes you feel the pulse of what the Memphis sound is all about.
Soprano soloist Valetta Brinson, an assistant professor of communications, graphic and fine arts at Southwest Tennessee Community College, recently joined poet and musician Kevin Simmonds in a performance before a packed house at the College of Charleston for the Crazyhorse Reading Series.
Brinson accompanied Simmonds with songs as he read poems centered on issues of identity, sexuality, family dynamics, and history.
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