Floyd Mayweather may have a charming smile and debonair appearance, but behind those pearly whites is one big freakin’ a**hole.
Shantel Jackson says she was humiliated and allegedly abused by Floyd, her former fiancé, and now she’s filed suit against the champion boxer for assault, battery, defamation, invasion of privacy, intentional infliction of emotional distress, harassment and more.
When I was growing up in a northern-New Jersey ghetto in the early Afro-picked 1970s, my mom used to take me places in her car. Our radio dial was locked to 1430 WNJR, a soul AM station, and in the afternoons I would hear something at the top of the hour called “National Black Network News.” National black newscasters were talking about the condition of black people.
We don’t hear enough of that anymore.
I was reminded of that when I heard that William Greaves had passed away on Aug. 25 at the age of 87. Nearly 50 years ago, Greaves was fighting a war in the media world and we were all the beneficiaries. The skirmishes were over black public-affairs television programs – shows that presented undiluted African-American political, social and cultural views on white television during the height of the civil rights movement and black power eras. Greaves was a pioneer of one: “Black Journal.”
This is about my tenth time going to the UniverSoul Circus and about the eighth time covering it. The circus performers may change but the theme remains the same: Having good family fun.
The venue was the Hickory Ridge Mall and the circus kicked off with SubRoy, a Memphis-area dance group that did a wonderful job. Perhaps my favorite circus act was next – The Caribbean Callaloo from Trinidad. Performers on stilts strut throughout the tent, towering over everyone. Then these beautiful women come out dancing in colorful outfits. Then comes the test of going under a stick blazing with fire. Wow! How low can you go?
Michael Brown's death appears to be sparking an entire cultural movement, particularly among black musicians.
A group of powerful artists—including the Game, Diddy, Rick Ross, 2 Chains, Fabolous, Wale, DJ Khaled, Swizz Beats, Yo Gotti, Curren$y, Problem, King Pharaoh and TGT—have collaborated on the just-released single "Don't Shoot" in honor of the Ferguson, Mo., teen who was killed by a police officer.
CHICAGO (FinalCall.com) – One of the most recognizable figures on the Earth is Muhammad Ali. While many have heard his name and been told of his exploits in the ring, do you truly know his story?
You may know that he suffers from Parkinson’s disease and is not the fast-talking, swift moving athlete he once was. You may know that he joined the Nation of Islam, and you might even know that he refused to fight in America’s military, but how did he become such a beloved American figure?
You could say he has now become the quintessential American symbol. You don’t get much more American than carrying the Olympic torch and lighting the flame, as he did during the opening ceremonies of the 1996 games in Atlanta.
For the last several days, rapper 50 Cent and boxer Floyd Mayweather have engaged in the favorite pastime of any 21st-century celebrity with a Twitter account and an ego: feuding. While in the old days you might have had to stand on a street corner and shout insults at a nemesis face-to-face, with a few neighborhood friends to cheer you on, today Instagram, Twitter and every other form of social media make the entire world observers to celebrities doing modern-day versions of “the dozens.”
But the 50 Cent-Mayweather feud recently took an ugly turn, one that casts a spotlight on an issue that should be no laughing matter, particularly to two men who are admired by so many young black boys.